- Torch-lit procession through the village
Bramley Guy Fawkes
November 5th, 2011London riots – a view from Delhi
August 9th, 2011Claudia Mayer is in Delhi, teaching at the National School of Drama. Her thoughts, of course, are on what’s going on in London. She writes:
The C18th mob was a beast to fear – are we heading there?
http://www.oldbaileyonline.org/browse.jsp?id=t17100418-46&div=t17100418-46&terms=the%20mob#highlight
Though looking at a fat old biker outside looted Swarovski’s in Manchester it strikes me that surely the whole consumer culture emphasis buy buy buy that came in in the 80s – the importance of money – and conspicuous consumption followed by dirt cheap goods – clothes etc thanks to 3rd world labour, child included, the whole bling thing, developed by blair’s world and now casually millionaired and privileged top shelf tories – there is a philosophical rebellion in all this – don’t make us fight for what we can’t have – smashing it is the only recourse – on an abstract level it makes sense. But smashing local family shops and businesses is just awful.
The other thing is that it seems entirely logical that the Tottenham kids would foul their own nest – it’s called self-harm and emerges out of alienation and despair.
I still ask – where are the parents?
I’m so glad I won’t have to suffer the wall-to-wall empty bluster about unacceptable this and deplorable that from tanned trillionaires! (who, by the way, are able to claim expenses for holiday interrupted by work).
BUSH THEATRE
July 7th, 2011The appointment of Madani Younis as the new Artistic Director of the Bush is thrilling news. Congratulations to Madani for seizing the moment and to the Board for appointing him.
A long overdue moment in British theatre: there have over the decades been so few – what shall I say? Ethnics? Darkies? – heading our major theatres, that each appointment seemed a herald of a new dawn. Only for it to remain a singular event rather than sparking a whole movement of change.
This may be different: the Arts are on shifting sands at the moment and perhaps this augurs a more hopeful moment of sustained infusion of other voices, other sensibilities, other colours across the landscape of theatre. Let’s have Kalidasa rub shoulders with Shakespeare, Soyinka with Pinter, Williams, Bhatti and Bano (& the host of others we never hear of) with Bean, Churchill, Walsh and all the many contemporary playwrights – why not? And actors in leading roles, please, as frequently as rain during this summer!
It suddenly struck me: today’s the anniversary of the London Bombings… And we’re almost exactly a year away from welcoming the world to the 2-week Olympic jamboree…
Multiculturalism is Dead
October 17th, 2010So now we know. The German Chancellor, Angela Merkel, said yesterday that the so-called “multikulti” concept – where people would “live side-by-side” happily – did not work, and immigrants needed to do more to integrate – “lmmigrants should learn to speak German”. Attempts to build a multicultural society in Germany, according to her, have “utterly failed”.
Failed? Has Germany learnt nothing from the re-integration of East & West Germany, let alone the Holocaust? Or are we back to the language of euphemism, where “culture” means ‘coloured foreigners’ – Muslims, Blacks, overt ‘Others’?
MIRANDA
August 8th, 2010Show’s up & running, as is the Festival – a daily parade of actors in costume and white face makeup touting for their shows, producers huddled in bars, queues, queues, queues and punters exchanging notes on shows seen. It’s a relentless marketplace within which to snatch the 10 minutes of focus allotted each act to create the world’s best performance!
The performers seem to have quickly got into the rhythm, where the daily touting is the only warm-up they’ll have, and the show has grown from strength to strength: we’re bringing much needed colour and vim to what otherwise appears as dour Edinburgh. Beautiful city, made alive for me by the marvellous Ian Rankin’s Inspector Rebus: I’ve been walking his roads but have yet to visit his regular bars!
MIRANDA in Edinburgh
August 5th, 2010Indians, sex and the rope trick – finished the tech for Miranda at the Assembly Rooms late in the night, before the party on the foothill of the Mount launching the Festival start tomorrow. Here goes a month of relentless sell, sell, sell and view, view, view of thousands of acts. How much I’ll get round to seeing, I can’t say until after the show gets underway tomorrow evening at 6pm.
But what I can say is how astonishing a performer is Ankur Bahl: liquid and seemingly endlessly adaptable. His androgynous charm teases the boundaries of Indian and Western, Classical and Modern, Male and Female, Dance and Skip Rope…
IN THE NATIONAL INTEREST…
May 29th, 2010you, a dashing young millionaire suddenly elevated to assume charge of the nation’s finances, take from the people just under a thousand pounds a month for eight years for your own capital gain but keep this under wraps as you try and help the very same people swallow the bitter pill of cuts in government spending. The National Interest demands sacrifice from the many to help the few. Welcome to the Brechtian era of New Politics…
QUEEN’S SPEECH
May 25th, 2010So, the veil has at last been lifted. Immigration, immigration, immigration was one of the key issues of the recent election, with no party being quite clear what they were referring to. The Queen’s unveiling of the coalition government’s programme makes clear at last what’s meant – non-EU migrants. In other words, from Commonwealth countries. In other words – to strip yet another layer of obfuscation off – Blacks and Asians. These are the people – I am the person – the new government wants to restrict from entry into Britain. I landed here in the 20th century; could I land here in this century? Not if his government has its way.
And now the news that a teacher who is a BNP member, and who posted comments online using a school laptop which described immigrants as “savage animals” has been cleared of racism by the General Teaching Council.
As if the recession were not enough to deal with…
BABEL (words)
May 19th, 2010Sublime show by Sidi Larbi Cherkaoui at Sadlers Wells. The 13 liquid, witty & muscular dancers are perfectly complemented by Anthony Gormley’s elegant, playful design. Structures form and re-form in seemingly endless variations, with barely a moment’s pause. And underlying, commenting, driving them all is some astonishing music and singing by the 5 musicians. This is one of the wittiest, most stylish and mesmeric pieces of dance-theatre I have seen for a very long time…
BRITAIN’S GOT BHANGRA
April 30th, 2010Rifco’s musical is brilliant. A popular, cheeky, foot-stomping take on the history of Bhangra’s emergence from the backstreets of Southall to the world stage. Parvesh Kumar has brought his very evident love of Punjabi culture to a new high. The show has a potent mix of chutzpah and history, without pulling its punches over the Asian attitude to politics or race.
The voice of Shin, playing the leading character Twinkle – in-itself an homage to popular Hindi cinema and one of its iconic songs from the 70s – is hugely affecting. The fact that the actor is a real-life Bhangra star only adds to the sense that here is a musical which has emerged from the grass-roots.
From the ubiqutous Hindi film Goddess bursting into a sitar-rock number to zimmer-framed grannies bemoaning their young and a DJ doing his ‘Black’ thing, and a catchy number – “Hai Rubba” – this show has all the makings of a West End transfer. It will add a genuinely different and yet thoroughly enjoyable ingredient to the normal fare on offer. Bombay Dreams was a half-hearted experiment – Britain’s Got Bhangra is the real thing! Investors take note…


